GUITAR BLOG 009 – PART TWO [12:41]
Minor /Major 7, Minor 7, Dominant 7:
Melodic Minor Composition: Seventh Chord Application
Example three adds more unique chord types across the harmony of, “Melodic Minor.” This includes the highly dissonant I-chord of, “Minor /Major 7.” The melody targets the chord tones once again playing a big role in how the chords are attended to within these compositions.
Example four combines common chord types into the progression through Minor 7 and Dominant 7th chords. When constructing melodies or building chord changes for these progressions, we need to address how the melody interacts to chords.