GUITAR BLOG 007 – PART ONE [14:11] Composing Minor-key Chord Progressions: Triad and Seventh Chord Harmony Part One: Example 1). I-IV-V Minor - Triad Harmony [01:12]Example 2). I-IV-V Minor …
1. Rock, Funk, Minor, Dominant and Altered
GUITAR SOLOING 007 – PART ONE [13:02]Often Overlooked Blues Scale Applications:Rock, Funk, Minor, Dominant and Altered Part One:• Example 1). Rock, Funk and Minor Keys [01:50]• Example 2). …
Continue Reading about 1. Rock, Funk, Minor, Dominant and Altered →
13. MUSIC THEORY – Understanding Major Scales and Keys
MUSIC THEORY: [03:56]Major Scale Formula and Key SignaturesThis in-studio session will help players work through a review of the Major Scale Formula on the guitar. The "G Major Scale" is demonstrated …
Continue Reading about 13. MUSIC THEORY – Understanding Major Scales and Keys →
1. Accented Eighth’s (Blues and Rock)
RHYTHM GUITAR 007 – PART ONE [11:39] Blues and Rock Rhythms: Accented Eighth’s and Shuffle /Rock Part One: Example 1). Accented Eighth’s (Blues and Rock) [02:34] In example one …
Continue Reading about 1. Accented Eighth’s (Blues and Rock) →
1. Inversion Practice and Compliments
ACOUSTIC GUITAR 007 – PART ONE [09:19] Inversions for Acoustic Songwriting: Inversion Practice and Compliments Part One: Example 1). Triad Inversion Practice (Major and …
Continue Reading about 1. Inversion Practice and Compliments →
1. Matching Pitch Across Major Triads (Arpeggios)
EAR TRAINING 004 – PART ONE [08:56] Developing Triad Harmony: Matching Pitch Across Major Triads (Arpeggios) Part One: Matching Pitch Across Major Triads (Arpeggios) Part one, of lesson …
Continue Reading about 1. Matching Pitch Across Major Triads (Arpeggios) →