• No Theory Whatsoever • Using the Melodic Minor Scale
• Funky Guitar String Popping • Modal Harmony Shifting
• The Aeolian Dominant Scale
On the road to learning all there is to know about music theory students can actually suffer from their lack of knowledge. This can become a major issue when composing.
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Melodic Minor (also known as Jazz Minor) can often be awkward to invent chord progressions and melodies with. In the video I offer several tips for applying the scale with success.
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Bass guitar isn't the only one that can create cool funky popping string-slappin sounds! The guitar can also produce this killer effect through hybrid picking and pinching of the strings.
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To understand harmony that does not fit a set of diatonic chords in a key, we need to understand how chords are linked to any given key to begin with. By learning to notice out of context harmony we can eventually learn how to play over that harmony shift.
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The scale of Aeolian Dominant, (also sometimes called; Hindu, Aeolian #3rd, or Mixolydian b6), can be used to create some fantastic chord progressions and melodies.
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